Sunday 28 January 2018

You are Here: Talk notes

Helen Parker (Blink Art) & Greg Burne (Big Active)
  • As a communicator, think about how you best absorb information. Online/social media, humour, moving image, quick and immediate - these are all the things that are working most effectively. 
  • Looking for someone with: individuality (of visual references), ideas people, think about things on a deeper level, professionalism and organisation/motivation (good deadline keeping). 
  • Instagram has peaked as a form of promotion - media is becoming more niche ...try to get onto online blogs/publications? think about your audience and where people will see things. 
  • Important information for dealing with clients & contracts:
    • Non-disclosure agreement should include nothing about rights. 
    • Do not deliver any work before getting purchase order. 
    • Cost for amendments e.g. 'this cost includes 2 rounds of amends' 
    • Am I the only person up for this job?
    • What is it about my work that you like? 
    • If its a good opportunity for promotion - specify being credited on social media or in publication etc. 
  • To make a job worth it you should have 2 out of 3 factors ticked:
    • Money - how much are they paying you?
    • Creatively appealing - are you excited about the project?
    • Promotion - will it be good promotion for you? 

The Dots
  • Good place for freelancers to network, follow: 'The dots: tips and insights', and 'the dots: portfolio masterclasses'. 
  • More informal than linkedin. 
  • Run portfolio masterclasses in London. 

Ricky Richards
  • Pronto projects - latch onto cultural events e.g. Jean Jullien's logo for charlie hebdo.
  • Influence of input - by looking at things that aren't generic/unique visual references, your output will be more original. 
  • What is the best use of your time? - is social media promotion going to benefit you that much, or is it better to spend an hour a day emailing ppl you would like to work for. 
  • Do self-initiated projects - make opportunities come to you. 

B&A (Mathew)
  • Submissions to an agency:
    • Tailor them to the agency - work/contexts that suit them.
    • Do your research. No 'to whom it may concern'. 
    • Send easily downloadable files.
  • Online promotion
    • Dribble & giffy for moving image
    • Behance
  • Portfolio - only put work in there you would like to expand upon or do again. Nothing that has been exhausted or does not reflect your current way of working. 
  • Always do self-directed projects and put them in your portfolio, because client work can sometimes be directed in a way that can remove a sense of you as a creative in the final product...
  • Place importance on/like: ideas people with a confident/consistent personal style. 

Its Nice that (Lucy) and Nobrow (Harriet)
  • Nobrow
    • See a trend in women and illustrated non-fiction. 
    • Accepts submissions (of ideas) without an agent on website. 
    • Looks on Instagram to source new talent. 
    • Looks for someone with personality and a confident style, as well as immediacy of communication/ideas.
  • Its Nice That
    • Do not really look at submissions because they get so many - better to email and lead with an image (grab attention), with a link to your website. 
    • Offer internships. 
    • Apply to Its Nice That Graduates.
    • Sources new talent on Instagram and looks for someone with personality and a consistent visual style. 

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